MUSIC DIRECTOR & CONDUCTOR, PRATIK GANDHI
Pratik Gandhi (he/him/his) is a conductor, percussionist, clinician, and researcher based in Toronto. He was recently appointed as the new music director of the Milton Philharmonic Orchestra, a role he is excited to commence in the 2024-25 season. He also currently serves as music director of the Rouge River Winds and sessional instructor at the University of Toronto Faculty of Music, where he directs the Wind Symphony. He was the founding music director of Soup Can Theatre and previously served as resident conductor for the Toy Piano Composers. Pratik has conducted many orchestras across southwestern Ontario, including the Cathedral Bluffs Symphony Orchestra, the Greater Toronto Philharmonic Orchestra, the Oakville Symphony, the Rose Orchestra Brampton, and the Windsor Symphony Orchestra. He also served as assistant conductor of Symphony on the Bay (now the Burlington Symphony Orchestra) for five years, and as associate conductor with the Toronto Youth Wind Orchestra for three years.
Pratik’s conducting experience covers a wide variety of genres and repertoire. He has led orchestras in performances of symphonies, concertos, and overtures; he has served as music director for stage works including operas, musicals, and cabarets; and he has conducted chamber ensembles, wind bands, choirs, and many different collaborative projects. Pratik is also a champion of new music, and has conducted the premiere of numerous works, including Jodi Vander Woude’s Quiet you with my love: lullaby, for soprano solo, female chorus, and large orchestra, and Kristie Hunter’s Stronger Than, for orchestra. Pratik is credited as conductor on three albums of contemporary music: Bekah Simms’ impurity chains (conducting two tracks, including the Juno-nominated “Granitic”); the Toy Piano Composers’ self-titled debut album; and the recent premiere recording of Benjamin Sajo’s “The Great War Sextet”.
Pratik received a B.Mus. in music education and an M.Mus. in conducting from the University of Western Ontario, where he studied conducting with Dr. Colleen Richardson, Jerome Summers and James McKay, and percussion with Dr. Jill Ball. He is currently a doctoral student at York University, where his research, supported by an Ontario Graduate Scholarship, investigates issues of equity and representation among wind band composers in Canada.
